Féeicien Rops is most popular today for his prints, although he has also made oil paintings of scenes, seascapes, and periodically genre works of art. In fact, Rops is considered a pioneer of Belgian comics available with drawings due to his power to show the time's sexual and mysterious writing.
Féeicien Victor Joseph Rops (July 7, 1833 - August 23, 1898) turned into a Belgian artist identified with the Parisian and Symbolism Fin-de-Siecle. He was an artist, caricaturist, a productive and reformist engraver, particularly in aquatint and etching.
Rop stunned the entire world during the end of the nineteenth century with his profane and expressly sexual topic in his drawings and paintings. He was firmly connected with famous literary figures, including Charles Baudelaire, Stéphane Mallarmé, and Paul Verlaine. His work frequently fell to relative ambiguities and dismissed several critics.
In June 1857, Rops married Charlotte Polet de Faveaux, the daughter of a wealthy magistrate and proprietor of the Thozée Castle in the field close to Mettet, Belgium. In 1862, he discovered a paddling club, the Royal Nautical Club of Sambre and Meuse.
All through his profession, Rope's landscape oil paintings, which were made en Plein air, vary in subject and style, included still lives, road scenes like the passage to the ball, symbolist demise at the ball, and many scenes.
Examples such as Snow in Thozée was painted near their hometown of Namur in the Walloon region of southern Belgium, and theRocks of the Grands Malades, influenced by Jean Baptiste Camille Corot, Gustave Courbet, and the Barbizon School, are in many of his landscapes.
Final Years and Death:
Féeicien Victor Joseph Rops, who dwelled in Paris, had chances to satisfy artists and activities of the time. Factors of impressionism are prominent in The Beach in Heist, painted at the Belgian coast. He died in 1898.